Competent shibari: Hip harness

An analysis of a well-known tutorial with our improved version of this tie

Competent Shibari

In this tutorial, we tie and analyse a hip harness from a well-known shibari manual. We then create our own version to overcome the perceived deficiencies in effectiveness and aesthetics.



Other than simple decoration, unless used with a crotch rope or other enhancement, the only real function of a hip-harness is as a solid base for suspension. In our opion, there's more to shibari that mere decoration. Nevertheless, it should also be beautiful and flatter the person in the rope. In our opinion, the first example does not fulfil the above criteria as will become apparent in the video. As I always like to put it, usually in reference to takate-kote ties (TK/gote/box-tie): "It's not enough to look like a plane, it needs to fly like one too". Correct engineering is not to be ignored. The original example fails in the egineering making it unsuitable for suspension. We will demonstrate how to easily overcome this and point out how the ingredients should be properly used.


Doing it right

In the second video, Nina shows a more typical version to address some of the issues in the original. This version, and the optional tutorial for 'Nina's hip-harness', are constructed using only simple ingredients that you already know: Single column tie and a few frictions. Pay attention to how we use these ingredients to create structure and solutions. For further study, see also Osaka Dan's 'Hip-harness and futo-momo'.



20% off Nina's hip-harness tutorial

As Nina's existing hip-harness tutorial offers a far more solid option for suspension, it was decided there was no point in re-creating these instructions in this tutorial. Instead, we are offering a 20% discount on the purchase and subscription versions of this very functional tie when you sign up to this 'Competent Shibari' tutorial.



Your Instructor


Nina Russ
Nina Russ

Nina Russ is a London-based shibari performer, rope artist, and educator. She began her rope journey in 2011 as a student of Esinem, with whom she later co-founded BOUND, London's pioneering shibari night (2012), and the online learning platform ShibariClasses (2015).


Nina has had the privilege of learning from esteemed Japanese shibari masters, including Kazami Ranki, Yukimura Haruki, and Kinoko Hajime. Her work has taken her across the globe, with performances at international events such as the London Festival of the Art of Japanese Rope Bondage and RopeFest in St. Petersburg.

In addition to her performance work, Nina is involved in a variety of artistic and fashion collaborations, as well as local events that celebrate rope as an expressive, embodied art form. Her passion for shibari lies not only in its aesthetics but also in its underlying philosophy—she sees rope as a powerful tool for connection, self-exploration, and growth.

Rooted in the discipline and precision of its martial arts heritage, shibari offers pathways to greater self-awareness, confidence, and emotional presence. For Nina, rope is more than technique—it’s a language. Through her work, she invites others to discover the subtle, powerful ways that rope can communicate directly to the body and mind, enriching the shared experience between partners.

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